THE LITTLE BLACK DRESS.
Trends come and go, but for 90 years the little black dress has remained a powerful Fashion Icon, a constant on the catwalk, red carpet and in many womens' wardrobes. Wallis Simpson, The Dutches of Windsor famously said in its praise, "when the little black dress is right, there is nothing else to wear in its place." The little black dress is the chamelon of the fashion world.
Be it the safe choice, the rebellious statement, sexy or demure, the little black dress is both chic and armour within the fashion world and has never skipped a beat. Vogue stated in 1939 the simple little black dress is that made of all work, transforming itself for any occasion. The appeal of Little black dress is in equal measures its versatility and timeless glamour linked to women such as Coco Chanel, Audrey Hepburn and Elizabeth Hurley.
HISTORY OF LITTLE BLACK DRESS
In 1926 Coco Chanel showcased a simple Black Jersey dress in American vogue, which she described as the new uniform of modern women. Vogue nicknamed the dress the Chanel Ford. From this point on the concept of the little black dress- versatile, sophisticated and progressive was planted firmly in the public immagination. The popularity of the little black dress remained more or less constant throughout the 20th century. The 1950 and 1960 were its heyday, owing in part to the postwar boom in cocktail parties. The 1961 film Breakfast at Tiffany's transformed the LBD into a style icon, so that by 1965 vogue awarded it the accolade of contemporary classic- authentic and ageless.
Today...It is still strong as it is placed in sought after and religously followed aspects of the fashion world such as Style God Tim Gunn's list of things a woman must have in her closet.
THE CHALLENGE
For contemporary designers...the constant objective was and is to update the black dress, season after season while allowing it to have the classic charm that made it a staple in the first place. In the 20th century, the black dress can be as progressive and revolutionary as it was in its Chanel beginnings.The Fashion and Textile Museum in UK invited over 20 of Britains leading designers to show their ideas of the perfect black dress. Constrained by color, designers experimented with texture, form, drape and silhouette while revamping the classic. As Catherine Walker says, the little black dress is the perfect canvas for pure line and form. The little black dress has the power to make all women feel special, sexy and sleek within its fabric. Further, the little black dress is an incredible and indespensable standard for many women within and during personal events such as moments of seduction, revenge, and unforgettable occasions are for many women a representation of black dress.
Improvements in manufacturing standards for ready to wear clothes and their introduction of new synthetic fibers, has both broadened the availability and affordability of the little black dress; allowing it to represent glamour accessible to women regardless of age, class or income. A constant essential piece in every womens wardrobe, the importance of the black dress is as universal, undeniable and strong as the woman who created it so long ago.--------------------
Tapti Tapan, Designer and Contributor
Wednesday, December 31, 2008
Saturday, December 20, 2008
A Fashion Designer's Life....
Designer, artist, or a creative soul, whatever you might want to call, we never sleep.We are always looking for ways, techniques, and inspirations to make our product better, more creative and more pleasing to the eye.
That’s what makes our profession different from any other. We are always on a run for ideas; we never know what will inspire us, whether it’s a bird, a tree, piece of furniture, texture on the streets or fabric, music or an emotion. It’s absolutely beyond our immediate understanding. The creative juices are always flowing, in our dreams, in our thoughts and in our hearts. We are constantly thinking how to make a product better, even when we are watching what other people are wearing. We are always thinking how I would have made it better or worn it different etc.
The day of a designer starts with perhaps meditating in the morning for calming our soul for a fresh start, for a new day or for some having a cup of coffee, running in the shower to get ready for a corporate job that doesn’t wait for us but we want to run to or after. After bathing, we perhaps look at our closest to decide whether we want to look creative today or perhaps professional, or should we go with the Chanel look or the Dior, or Cavalli for that matter. After all that’s decided then comes the accessories, the hair, makeup and the jacket depending on the mad and unpredictable weather of New York.On the train either reading WWD (Women’s wear daily, the bible of the Fashion Industry) or figuring out what’s the first thing we need to do once we reach the office or simply sleeping and for some who are always running late and wearing makeup on the train, while the people around are watching and wandering why the makeup cant be worn at home or why is it even important to wear makeup.The day at work, stress, stress, and some more stress.
Deadlines, communicating with over seas factories for issues and concerns, calling fabric, trim vendors, asking them when are we getting the buttons, when is the fabric reaching the office, negotiating prices, searching magazines for inspirations, getting the projects done for presentations for the buyers, getting projects done for meetings, color meetings, meetings with vendors, trend meetings, sales meetings.
Then we say to ourselves, if we have so many meetings how can we meet deadlines, how will we have time to create something which is so beautiful and divine and at the same time sellable. Alas lunch time, lunch is usually on our desk in front of our computer, while we are having lunch we are also emailing or figuring out what next, should we tackle an easier project first or something less complicated or should be just sketch and create away to glory and finally we look at our wrist to see what time it is, whether it is end of the day yet or not or can we go home early today or perhaps not.A designer not all creates but sees the process and makes sure everything a garment needs is there. From a sketch we bring it to reality, a reality which we see people wearing or perhaps even on the runway.. It’s just like a baby.
Tapti Tapan
Designer
That’s what makes our profession different from any other. We are always on a run for ideas; we never know what will inspire us, whether it’s a bird, a tree, piece of furniture, texture on the streets or fabric, music or an emotion. It’s absolutely beyond our immediate understanding. The creative juices are always flowing, in our dreams, in our thoughts and in our hearts. We are constantly thinking how to make a product better, even when we are watching what other people are wearing. We are always thinking how I would have made it better or worn it different etc.
The day of a designer starts with perhaps meditating in the morning for calming our soul for a fresh start, for a new day or for some having a cup of coffee, running in the shower to get ready for a corporate job that doesn’t wait for us but we want to run to or after. After bathing, we perhaps look at our closest to decide whether we want to look creative today or perhaps professional, or should we go with the Chanel look or the Dior, or Cavalli for that matter. After all that’s decided then comes the accessories, the hair, makeup and the jacket depending on the mad and unpredictable weather of New York.On the train either reading WWD (Women’s wear daily, the bible of the Fashion Industry) or figuring out what’s the first thing we need to do once we reach the office or simply sleeping and for some who are always running late and wearing makeup on the train, while the people around are watching and wandering why the makeup cant be worn at home or why is it even important to wear makeup.The day at work, stress, stress, and some more stress.
Deadlines, communicating with over seas factories for issues and concerns, calling fabric, trim vendors, asking them when are we getting the buttons, when is the fabric reaching the office, negotiating prices, searching magazines for inspirations, getting the projects done for presentations for the buyers, getting projects done for meetings, color meetings, meetings with vendors, trend meetings, sales meetings.
Then we say to ourselves, if we have so many meetings how can we meet deadlines, how will we have time to create something which is so beautiful and divine and at the same time sellable. Alas lunch time, lunch is usually on our desk in front of our computer, while we are having lunch we are also emailing or figuring out what next, should we tackle an easier project first or something less complicated or should be just sketch and create away to glory and finally we look at our wrist to see what time it is, whether it is end of the day yet or not or can we go home early today or perhaps not.A designer not all creates but sees the process and makes sure everything a garment needs is there. From a sketch we bring it to reality, a reality which we see people wearing or perhaps even on the runway.. It’s just like a baby.
Tapti Tapan
Designer
Monday, December 8, 2008
A Preview of the New Season!
Spring/Summer 2009.....
While we sit snuggled up in coats, scarves and hats, the designers of the world of course are already thinking ahead to the next season which requires their fashion stamp: Spring and summer of 2009.
Although the well known designers of our world of course took the ground running, this was deffinitly a season for the newbie designers as well. While Project Runway gives one designer a break, we saw the runway give many others a chance to shine as well. For some, they took that and dazzled many, showing that the future of fashion just got a bit brighter. A great example of this is Russian designer Kira Plastinina. With a collection of fresh and funky looks, you can see by her pallete that she deffinitly is aware of clientel type tastes, and can fit the requirements well. While still daring and unafrai with mixing colors and patterns Plastinina's designs are always blended so well.
Chanel
While we all know the classic Chanel suits which even if made decades ago will still be red carpet ready, the timeless ensemble was beautifuly altered with different cuts and color styles in order to create a modern look for the new season. The basics however, from regular skirst tops and knited items which Chanel is known best for, were still in view despite the upheaval. Despite any changes, the collection still keept the indpendent yet classic elegance which the line is best known for. To see a collection that was still able to keep to what the representation of what Chanel represents, and keep up with the times is just an amazing feat only able to be done on by an amazing label such as Chanel.
Carlos Miele
Despite his usual inventive forte for his pieces, Miele's picks for spring were still amazingly wearable while still having a cutting edge with the color choices and styles. Despite the obvjously innovative creations, the designer still held on to the cuts required to make a woman's body a masterpiece dressed in a masterpiece.
Charles Nolan
While maintaining an older style, the conservative view of this collection still has some young touches, such as free flowing skirts and a light feeling which echos from many of the choices for this season.
Monique Lhuiller
Whispers around the fashion world say that this new child of the fashion floor may be the next Valentino through her collection and presentation. The elegance and how the collection celebrates the women of confidence and sexyness.
The number on factor of this season is: COLOR COLOR COLOR. While we will not see the bright yellows and oranges of the last summer...examples of of bold colors for things such as tailored suits showed in presenations such as Gucci, while sensual patters will be a staple as shown by lines such as Just Cavalli. All in all, this promises to be a very sexy season!
Mira Hinic, Fashion Freelancer: Hetty
While we sit snuggled up in coats, scarves and hats, the designers of the world of course are already thinking ahead to the next season which requires their fashion stamp: Spring and summer of 2009.
Although the well known designers of our world of course took the ground running, this was deffinitly a season for the newbie designers as well. While Project Runway gives one designer a break, we saw the runway give many others a chance to shine as well. For some, they took that and dazzled many, showing that the future of fashion just got a bit brighter. A great example of this is Russian designer Kira Plastinina. With a collection of fresh and funky looks, you can see by her pallete that she deffinitly is aware of clientel type tastes, and can fit the requirements well. While still daring and unafrai with mixing colors and patterns Plastinina's designs are always blended so well.
Chanel
While we all know the classic Chanel suits which even if made decades ago will still be red carpet ready, the timeless ensemble was beautifuly altered with different cuts and color styles in order to create a modern look for the new season. The basics however, from regular skirst tops and knited items which Chanel is known best for, were still in view despite the upheaval. Despite any changes, the collection still keept the indpendent yet classic elegance which the line is best known for. To see a collection that was still able to keep to what the representation of what Chanel represents, and keep up with the times is just an amazing feat only able to be done on by an amazing label such as Chanel.
Carlos Miele
Despite his usual inventive forte for his pieces, Miele's picks for spring were still amazingly wearable while still having a cutting edge with the color choices and styles. Despite the obvjously innovative creations, the designer still held on to the cuts required to make a woman's body a masterpiece dressed in a masterpiece.
Charles Nolan
While maintaining an older style, the conservative view of this collection still has some young touches, such as free flowing skirts and a light feeling which echos from many of the choices for this season.
Monique Lhuiller
Whispers around the fashion world say that this new child of the fashion floor may be the next Valentino through her collection and presentation. The elegance and how the collection celebrates the women of confidence and sexyness.
The number on factor of this season is: COLOR COLOR COLOR. While we will not see the bright yellows and oranges of the last summer...examples of of bold colors for things such as tailored suits showed in presenations such as Gucci, while sensual patters will be a staple as shown by lines such as Just Cavalli. All in all, this promises to be a very sexy season!
Mira Hinic, Fashion Freelancer: Hetty
Monday, November 10, 2008
FACshion Sets Trend In A Great Fashion Week
The first of its kind, new trade buyer and consumer show FaCshion was the ideal showcase for a fusion of emerging fashion talent FaCshion has lead the way as the very first twice annual trade show that targets both the trade buyer and the fashionista consumer. With over 1100 visitors through its doors, the 2 day event at the Old Truman Brewery on Brick Lane has confidently established its name on the fashion calendar.Midday saw the doors fling open on the Saturday, and the event kick off in style with an exclusive VIP champagne brunch giving the special guests including buyers from the likes of Topshop and Warehouse the opportunity to mingle with press and industry bodies whilst sipping champagne and lunching on sushi. This fashionable fusion made for a valuable opportunity to exclusively preview the exhibitor collections before the hoardes of general public. "The talent there was outstanding" - Stylish Miss
Among the 50 carefully chosen exhibitors, those to note included TraSsh Bags who by mixing both fashion with ethics provided a preview of their striking designs. With their beautifully cut statement pieces, Trout and Pout showcased their intricately tailored plaid kimono jackets which were emphasised to be "all made lovingly in the UK". For simplistically individual sculpted bags, Stephen Harkin presented an accessory range to behold, and contemporary menswear label Credau showed off their 100% original natural or recycled range. Other event highlights included top beauty professionals Dermalogica offering visitors free expert face mapping at their skin bar and iStylista who divulged their expert advice to all those wanting to try their hand at styling - there was without doubt much to see and do at this September's FaCshion.
"It was definitely worth it" - An Average Girl's Diary
Heads were turned to the catwalk as the models strutted into action at 1pm. Choreographed by the highly acclaimed Andy Turner (who can also add The Clothes Show Live main show to his credits) the show was accompanied by a pulsating soundtrack to compliment the selected exhibitors' collections. Later in the day guest speakers offered pearls of industry wisdom to the fashion throngs; they included Style Insider and entrepreneur Bethanie Lunn who gave one lucky attendee the chance of an expert makeover, successful Fashion Designer and Entrepreneur Kal Kaur Rai and Founder of DeviDoll.com, Sindhu Venkatanarayanan who discussed the impact of ethical choices in fashion. A resounding success, FaCshion provided the platform for a diverse selection of ethically minded emerging fashion talent - if this event was anything to go by we can't wait for the next one!
Among the 50 carefully chosen exhibitors, those to note included TraSsh Bags who by mixing both fashion with ethics provided a preview of their striking designs. With their beautifully cut statement pieces, Trout and Pout showcased their intricately tailored plaid kimono jackets which were emphasised to be "all made lovingly in the UK". For simplistically individual sculpted bags, Stephen Harkin presented an accessory range to behold, and contemporary menswear label Credau showed off their 100% original natural or recycled range. Other event highlights included top beauty professionals Dermalogica offering visitors free expert face mapping at their skin bar and iStylista who divulged their expert advice to all those wanting to try their hand at styling - there was without doubt much to see and do at this September's FaCshion.
"It was definitely worth it" - An Average Girl's Diary
Heads were turned to the catwalk as the models strutted into action at 1pm. Choreographed by the highly acclaimed Andy Turner (who can also add The Clothes Show Live main show to his credits) the show was accompanied by a pulsating soundtrack to compliment the selected exhibitors' collections. Later in the day guest speakers offered pearls of industry wisdom to the fashion throngs; they included Style Insider and entrepreneur Bethanie Lunn who gave one lucky attendee the chance of an expert makeover, successful Fashion Designer and Entrepreneur Kal Kaur Rai and Founder of DeviDoll.com, Sindhu Venkatanarayanan who discussed the impact of ethical choices in fashion. A resounding success, FaCshion provided the platform for a diverse selection of ethically minded emerging fashion talent - if this event was anything to go by we can't wait for the next one!
Tuesday, June 3, 2008
International Fashion Event Announcement!
FaCshion - the event on everyone's lipsTrade Buyer and Consumer Show, FaCshion releases exhibitor names and media partners
2 DAYS
4 CATWALK SHOWS
50 EXHIBITORS
FaCshion is the very first two-day exhibition that targets both trade buyer and fashionista in London. Due to the events originality, demand and results they deliver, FaCshion has the full support from key media partners including concierge service, Style Bible and press such as Attire Accessories and Who's Jack Magazine.
Louise Orcheston-Findlay, Editor of Who's Jack magazine states, 'Jack worked with FaCshion last year and saw the high calibre of designers it presented - some of which we have since worked with for our fashion pages. We love FaCshion because we can get a chance to see and speak to great talent before it becomes hard to reach'!With 50 exhibitors and 4 catwalks over 2 days - the event is set to attract thousands of fashionistas and industry members - offering an essential platform for fashion brands to showcase their collections as well offering the likes of buyers, stylists and even consumers an opportunity to preview, buy and use the stock of some amazingly talented designers. Head of Marketing, Diana Young is thrilled by the positive response the event is already receiving but simultaneously expected the support due its unique yet essential offering. Luke Gittens, Founder, says "FaCshion aims to break boundaries by creating an event for both trade buyer and consumer by supporting independent designers that seldom have the opportunity or the means with which to reach the masses."
Held on Saturday 13 September (13:30 - 18:00) and Sunday 14 September 2008 (12:00 - 18:00) at the Old Truman Brewery, presenting a range of emerging designers specialising in a variation of sectors from couture to customised fashion, ethical goods, knitwear, lingerie, footwear and accessories. Exhibitor, Sandra Bamminger of The House of Boing collection features womenswear combined with accessories and hats. She chose to exhibit at FaCshion because their new collection of hats have so far only been shown in editorials and not yet been presented to the great British public at large - 'stylish people living and visiting the Brick Lane area represent a great cross-section of potential Boing customers', says Bamminger.
2 DAYS
4 CATWALK SHOWS
50 EXHIBITORS
FaCshion is the very first two-day exhibition that targets both trade buyer and fashionista in London. Due to the events originality, demand and results they deliver, FaCshion has the full support from key media partners including concierge service, Style Bible and press such as Attire Accessories and Who's Jack Magazine.
Louise Orcheston-Findlay, Editor of Who's Jack magazine states, 'Jack worked with FaCshion last year and saw the high calibre of designers it presented - some of which we have since worked with for our fashion pages. We love FaCshion because we can get a chance to see and speak to great talent before it becomes hard to reach'!With 50 exhibitors and 4 catwalks over 2 days - the event is set to attract thousands of fashionistas and industry members - offering an essential platform for fashion brands to showcase their collections as well offering the likes of buyers, stylists and even consumers an opportunity to preview, buy and use the stock of some amazingly talented designers. Head of Marketing, Diana Young is thrilled by the positive response the event is already receiving but simultaneously expected the support due its unique yet essential offering. Luke Gittens, Founder, says "FaCshion aims to break boundaries by creating an event for both trade buyer and consumer by supporting independent designers that seldom have the opportunity or the means with which to reach the masses."
Held on Saturday 13 September (13:30 - 18:00) and Sunday 14 September 2008 (12:00 - 18:00) at the Old Truman Brewery, presenting a range of emerging designers specialising in a variation of sectors from couture to customised fashion, ethical goods, knitwear, lingerie, footwear and accessories. Exhibitor, Sandra Bamminger of The House of Boing collection features womenswear combined with accessories and hats. She chose to exhibit at FaCshion because their new collection of hats have so far only been shown in editorials and not yet been presented to the great British public at large - 'stylish people living and visiting the Brick Lane area represent a great cross-section of potential Boing customers', says Bamminger.
Thursday, May 29, 2008
International Fashion Review: Ann Sofie
Having always thought that models had to look as miserable as sin, it was fabulous to see the girls at Ann Sofie-Back looking like they were enjoying every second of their catwalk troop.
Ann Sofie-Back is one of those brilliant designers who never seems to get the credit she truly deserves; always out on the edge of the inner fashion circle. A shy, creative type (she didn’t even put in an appearance at the end of the show, not to mention that the end walk was done at the beginning, prompting much confusion as to whether or not the spectacular spectacle was indeed over) has created yet another strong collection that stays true to her own unique and experimental style.
Like the earlier Modernist show, it appears that the palette for Autumn/Winter 08 is monochrome (although this time on the more grey end of the scale) with accents of flame red. There were also splashes of aqua; a colour hard to pull off and which didn’t entirely work well within the collection.
The collection was a fun and playful twist on traditional men’s tailoring, with asymmetric, oversized, draped men’s suit jackets in wool, and tuxedo jackets in black satin. Drapery is a key part of Ann Sofie-Back’s ‘look’ and she didn’t disappoint. Satin dresses, in blacks and red, hung asymmetricly across the models bodies, and included fabulous sleeve detailing in the form of spider web like lace.
Jersey staple cream t-shirts were incredibly soft and sheer, many splattered in the palettes accent red colour. The collection itself came across as feminine and extremely delicate, in many cases reminiscent of sensual satin night wear; brilliantly juxtaposed by the masculine jacket influences, which were occasionally styled together, allowing them to hang over beautifully sleek satin dresses. It reminded me of a chivalrous gentleman lending a woman his jacket after a romantic night out.
Knits again were asymmetrically draped, with part fitted and part left to organically take its own shape, which worked extremely well.
There was a good selection of trouser shapes, with some beautifully tailored and high-waisted, as well as skinny tuxedo pants.
The collection would generally only work well for those of an extremely waif like build (think the Olsen twins), as the asymmetry and drapery are obviously meant to engulf and hang off the wearer in a delicate fashion.
More wearable styles include the grey jumper dresses (now a winter wardrobe staple), embellished in silver trinkets and slimming pencil skirts.
My favourite pieces from the show are without a doubt the amazing asymmetric, draped leather biker jacket (simply ‘WOW’) and matching leather, embellished gloves, a silvery wet look pair of cigarette pants (though I wont be wearing them, I will admire any women that does) and the closing piece, yet again draped and asymmetric, but this time in the form of a white satin shirt with voluminous balloon sleeve.
Rebecca Baum
International Writer
Ann Sofie-Back is one of those brilliant designers who never seems to get the credit she truly deserves; always out on the edge of the inner fashion circle. A shy, creative type (she didn’t even put in an appearance at the end of the show, not to mention that the end walk was done at the beginning, prompting much confusion as to whether or not the spectacular spectacle was indeed over) has created yet another strong collection that stays true to her own unique and experimental style.
Like the earlier Modernist show, it appears that the palette for Autumn/Winter 08 is monochrome (although this time on the more grey end of the scale) with accents of flame red. There were also splashes of aqua; a colour hard to pull off and which didn’t entirely work well within the collection.
The collection was a fun and playful twist on traditional men’s tailoring, with asymmetric, oversized, draped men’s suit jackets in wool, and tuxedo jackets in black satin. Drapery is a key part of Ann Sofie-Back’s ‘look’ and she didn’t disappoint. Satin dresses, in blacks and red, hung asymmetricly across the models bodies, and included fabulous sleeve detailing in the form of spider web like lace.
Jersey staple cream t-shirts were incredibly soft and sheer, many splattered in the palettes accent red colour. The collection itself came across as feminine and extremely delicate, in many cases reminiscent of sensual satin night wear; brilliantly juxtaposed by the masculine jacket influences, which were occasionally styled together, allowing them to hang over beautifully sleek satin dresses. It reminded me of a chivalrous gentleman lending a woman his jacket after a romantic night out.
Knits again were asymmetrically draped, with part fitted and part left to organically take its own shape, which worked extremely well.
There was a good selection of trouser shapes, with some beautifully tailored and high-waisted, as well as skinny tuxedo pants.
The collection would generally only work well for those of an extremely waif like build (think the Olsen twins), as the asymmetry and drapery are obviously meant to engulf and hang off the wearer in a delicate fashion.
More wearable styles include the grey jumper dresses (now a winter wardrobe staple), embellished in silver trinkets and slimming pencil skirts.
My favourite pieces from the show are without a doubt the amazing asymmetric, draped leather biker jacket (simply ‘WOW’) and matching leather, embellished gloves, a silvery wet look pair of cigarette pants (though I wont be wearing them, I will admire any women that does) and the closing piece, yet again draped and asymmetric, but this time in the form of a white satin shirt with voluminous balloon sleeve.
Rebecca Baum
International Writer
Wednesday, May 28, 2008
International Fashion Review: Avsh Alom Gur
Now I would just like it noted that I reviewed and took notes from this whole show while standing on tip toes (sorry I just want it recognised the length that this fashionista will go to!)
The last time I saw Avsh Alom Gur was for his current S/S 08 collection; the seated rows were full (in fact I was comfortably perched on a bench for that one!) and there were a number of standing spectators. However, it just shows what six months in fashion can do! This time the entire room was crammed to bursting with the fashion pack wanting a piece of this design genius (hence why I was about five rows back standing on tip toes!)
As I’m sure you all know Avsh Alom Gur is now also the creative director of Ossie Clark and this has made him (to most) the man of the moment.
The collection opened with a corseted piece and print skirt, which I must admit threw me a little. This wasn’t the Gur I knew! Where were all the beautiful draped dresses? Fear not fashion friends! After what I thought was an uncharacteristic opening (which included chiffon floor length dresses, trimmed in dyed furs), Gur regained his signature look in the form of floor length chiffon maxi dresses, plenty of his famous prints and embroidery detailing.
Dresses were incredibly waisted, and you would need a great (and tiny) waist to carry them off successfully! But they were truly beautiful. Gur works chiffon in such a way that there is a perfect amount of drapery and gather, to allow them to fall just so, always presenting them in a kaleidoscope of colours (this time the main being a chocolate brown).
Also on offer was delicate pleating that emulated corrugated card, and this provided a fabulous contrast of something so rigid created in something as delicate as chiffons and silks.
There was a definite African theme running through the collection’s prints, embroidery, colour palettes and the silhouettes.
Sleeves again were a big focus in this collection and I have seen many a fabulous voluminous sleeve this week (which I love!)
Watching Gur is a textile treat! Where else can I see burnt orange velvet with pink embroidery that should look evil, But in reality looks so sumptuous and magnificent that I’d like to run out and buy it. The burnt orange and pink velvet outfit was definitely my favourite, such contrasts working so perfectly, with fabulous pushed up three quarter sleeves gathered and draped so organically; reflecting the lights of the catwalk.
The colour palette consisted of beige, orange (both bright and burnt), brown (in various shades), gold and emerald blues and pale green and of course the A/W favourite, monochromes.
As with previous seasons, Avsh Shalom Gur has continued to evolve the embellishment trends into both accessories (such as blinging belts) and a heavily decorated jacket.
There was also experimentation of fit with drapery in the form of fitted corsets with chiffon drapery that worked extremely well.
Although this collection didn’t feel the least bit wintery to me (not a bit of knitwear in sight!), it was without a doubt my favourite of the week, Gur did what he does best: beautiful designs in courageous colours, with fabrics he knows he can use to make magical dresses. Having read that he plans to scale down his own operation to fully look after Ossie Clark, I think he is balancing both remarkably. Long may it be so!
Rebecca Baum
International Fashion Writer
The last time I saw Avsh Alom Gur was for his current S/S 08 collection; the seated rows were full (in fact I was comfortably perched on a bench for that one!) and there were a number of standing spectators. However, it just shows what six months in fashion can do! This time the entire room was crammed to bursting with the fashion pack wanting a piece of this design genius (hence why I was about five rows back standing on tip toes!)
As I’m sure you all know Avsh Alom Gur is now also the creative director of Ossie Clark and this has made him (to most) the man of the moment.
The collection opened with a corseted piece and print skirt, which I must admit threw me a little. This wasn’t the Gur I knew! Where were all the beautiful draped dresses? Fear not fashion friends! After what I thought was an uncharacteristic opening (which included chiffon floor length dresses, trimmed in dyed furs), Gur regained his signature look in the form of floor length chiffon maxi dresses, plenty of his famous prints and embroidery detailing.
Dresses were incredibly waisted, and you would need a great (and tiny) waist to carry them off successfully! But they were truly beautiful. Gur works chiffon in such a way that there is a perfect amount of drapery and gather, to allow them to fall just so, always presenting them in a kaleidoscope of colours (this time the main being a chocolate brown).
Also on offer was delicate pleating that emulated corrugated card, and this provided a fabulous contrast of something so rigid created in something as delicate as chiffons and silks.
There was a definite African theme running through the collection’s prints, embroidery, colour palettes and the silhouettes.
Sleeves again were a big focus in this collection and I have seen many a fabulous voluminous sleeve this week (which I love!)
Watching Gur is a textile treat! Where else can I see burnt orange velvet with pink embroidery that should look evil, But in reality looks so sumptuous and magnificent that I’d like to run out and buy it. The burnt orange and pink velvet outfit was definitely my favourite, such contrasts working so perfectly, with fabulous pushed up three quarter sleeves gathered and draped so organically; reflecting the lights of the catwalk.
The colour palette consisted of beige, orange (both bright and burnt), brown (in various shades), gold and emerald blues and pale green and of course the A/W favourite, monochromes.
As with previous seasons, Avsh Shalom Gur has continued to evolve the embellishment trends into both accessories (such as blinging belts) and a heavily decorated jacket.
There was also experimentation of fit with drapery in the form of fitted corsets with chiffon drapery that worked extremely well.
Although this collection didn’t feel the least bit wintery to me (not a bit of knitwear in sight!), it was without a doubt my favourite of the week, Gur did what he does best: beautiful designs in courageous colours, with fabrics he knows he can use to make magical dresses. Having read that he plans to scale down his own operation to fully look after Ossie Clark, I think he is balancing both remarkably. Long may it be so!
Rebecca Baum
International Fashion Writer
Thursday, May 22, 2008
The Halter Dress...so in its wrapped around our finger too
Summer would not be summer without the summer dress...and the less fabric the more popular for heated season. Therefore there is no reason why this year the halter dress is THE DRESS. Every fashion magazine has shown this realization and Hetty is no different. In addition to the creative lack of fabric above the waist, halter dresses also give the consistent and of course independent option of color and style. Creativity is the one major thing we salute in Hetty and this dress is beyond and all around that objective.
Style meaning the cut of not only the straps but where they lie and the cut of what is below it. (Just above the waist of course). Whether its v neck, square neck or so low v neck it hits ur belly button....the list can go on and on...if only the summer could do the same thing? Even despite these aspects, there also is a joining of sorts to the designer's choice of dress cut and the realization that....as a previous post pointed out this is the season of the shoulder and with the halter the shoulder gets some show...with a little additive of fabric wrapped nearby.
Advice to use this is to know your figure no matter how fabulous the dress is. While it is still the year of the shoulder you should always listen to that fashionista within as well as the full length mirror in front of you. But remember to love what you wear as much as you love yourself....otherwise the outfit just doesn't work.
Style meaning the cut of not only the straps but where they lie and the cut of what is below it. (Just above the waist of course). Whether its v neck, square neck or so low v neck it hits ur belly button....the list can go on and on...if only the summer could do the same thing? Even despite these aspects, there also is a joining of sorts to the designer's choice of dress cut and the realization that....as a previous post pointed out this is the season of the shoulder and with the halter the shoulder gets some show...with a little additive of fabric wrapped nearby.
Advice to use this is to know your figure no matter how fabulous the dress is. While it is still the year of the shoulder you should always listen to that fashionista within as well as the full length mirror in front of you. But remember to love what you wear as much as you love yourself....otherwise the outfit just doesn't work.
Thursday, May 15, 2008
A Designer's Life
Designer, artist, or a creative soul, whatever you might want to call, we never sleep.
We are always looking for ways, techniques, and inspirations to make our product better, more creative and more pleasing to the eye. That’s what makes our profession different from any other. We are always on a run for ideas; we never know what will inspire us, whether it’s a bird, a tree, piece of furniture, texture on the streets or fabric, music or an emotion. It’s absolutely beyond our immediate understanding. The creative juices are always flowing, in our dreams, in our thoughts and in our hearts. We are constantly thinking how to make a product better, even when we are watching what other people are wearing. We are always thinking how I would have made it better or worn it different etc.
The day of a designer starts with perhaps meditating in the morning for calming our soul for a fresh start, for a new day or for some having a cup of coffee, running in the shower to get ready for a corporate job that doesn’t wait for us but we want to run to or after. After bathing, we perhaps look at our closest to decide whether we want to look creative today or perhaps professional, or should we go with the Chanel look or the Dior, or Cavalli for that matter. After all that’s decided then comes the accessories, the hair, makeup and the jacket depending on the mad and unpredictable weather of New York.
On the train either reading WWD (Women’s wear daily, the bible of the Fashion Industry) or figuring out what’s the first thing we need to do once we reach the office or simply sleeping and for some who are always running late and wearing makeup on the train, while the people around are watching and wandering why the makeup cant be worn at home or why is it even important to wear makeup.
The day at work, stress, stress, and some more stress. Deadlines, communicating with over seas factories for issues and concerns, calling fabric, trim vendors, asking them when are we getting the buttons, when is the fabric reaching the office, negotiating prices, searching magazines for inspirations, getting the projects done for presentations for the buyers, getting projects done for meetings, color meetings, meetings with vendors, trend meetings, sales meetings. Then we say to ourselves, if we have so many meetings how can we meet deadlines, how will we have time to create something which is so beautiful and divine and at the same time sellable. Alas lunch time, lunch is usually on our desk in front of our computer, while we are having lunch we are also emailing or figuring out what next, should we tackle an easier project first or something less complicated or should be just sketch and create away to glory and finally we look at our wrist to see what time it is, whether it is end of the day yet or not or can we go home early today or perhaps not.
A designer not all creates but sees the process and makes sure everything a garment needs is there. From a sketch we bring it to reality, a reality which we see people wearing or perhaps even on the runway.. It’s just like a baby.
Tapti Tapan
Designer
Soul By Tapti Tapan
We are always looking for ways, techniques, and inspirations to make our product better, more creative and more pleasing to the eye. That’s what makes our profession different from any other. We are always on a run for ideas; we never know what will inspire us, whether it’s a bird, a tree, piece of furniture, texture on the streets or fabric, music or an emotion. It’s absolutely beyond our immediate understanding. The creative juices are always flowing, in our dreams, in our thoughts and in our hearts. We are constantly thinking how to make a product better, even when we are watching what other people are wearing. We are always thinking how I would have made it better or worn it different etc.
The day of a designer starts with perhaps meditating in the morning for calming our soul for a fresh start, for a new day or for some having a cup of coffee, running in the shower to get ready for a corporate job that doesn’t wait for us but we want to run to or after. After bathing, we perhaps look at our closest to decide whether we want to look creative today or perhaps professional, or should we go with the Chanel look or the Dior, or Cavalli for that matter. After all that’s decided then comes the accessories, the hair, makeup and the jacket depending on the mad and unpredictable weather of New York.
On the train either reading WWD (Women’s wear daily, the bible of the Fashion Industry) or figuring out what’s the first thing we need to do once we reach the office or simply sleeping and for some who are always running late and wearing makeup on the train, while the people around are watching and wandering why the makeup cant be worn at home or why is it even important to wear makeup.
The day at work, stress, stress, and some more stress. Deadlines, communicating with over seas factories for issues and concerns, calling fabric, trim vendors, asking them when are we getting the buttons, when is the fabric reaching the office, negotiating prices, searching magazines for inspirations, getting the projects done for presentations for the buyers, getting projects done for meetings, color meetings, meetings with vendors, trend meetings, sales meetings. Then we say to ourselves, if we have so many meetings how can we meet deadlines, how will we have time to create something which is so beautiful and divine and at the same time sellable. Alas lunch time, lunch is usually on our desk in front of our computer, while we are having lunch we are also emailing or figuring out what next, should we tackle an easier project first or something less complicated or should be just sketch and create away to glory and finally we look at our wrist to see what time it is, whether it is end of the day yet or not or can we go home early today or perhaps not.
A designer not all creates but sees the process and makes sure everything a garment needs is there. From a sketch we bring it to reality, a reality which we see people wearing or perhaps even on the runway.. It’s just like a baby.
Tapti Tapan
Designer
Soul By Tapti Tapan
Monday, May 12, 2008
Fashionable Tech: The Next Generation
Without realizing it, mobile phones have become a part of the fashion industry landscape in recent years. When people leave their homes, their phones now are going everywhere with them. The styles of cell phones are changing like every fashion trend, slim phones, flip phones, red phones, and iPhones, as people make statements about themselves. This is not a North American phenomenon, but a global one, with over 3 billion mobile phone users worldwide.As phone models and colors were the early fashion statements, ringtones and digital content have started to provide the next level of personalization in most recent years.
Whether it's 50 Cent or Madonna, hip hop or pop, people change ringtones regularly to express their moods and their individuality. People from all over the world are downloading ringtones as a fashion accessory, whether it comes from Hollywood in the US or Bollywood in India, this is truly a global fashion trend.The ringtones fashion industry was a multi-billion dollar business in the US alone this year, and is expected to increase as more artists and fashion designers enter the market. As the business grows, exports of this new content will grow, with Indies becoming a bigger part of the market.
Like in the fashion world, for all the big names there are thousands of independent designers making their mark, as is the case of digital content. For every Madonna, there are thousands of independent artists that are trying to become the next big hit. Same is the scenario with wallpapers as new fashion magazines and modeling agencies have started to sell exclusive mobile wallpapers of their models globally. Welcome to Fashion 2.0 as the digital age becomes a bigger part of individual expression.
For more information or to get the new fashion tech bug, check out www.ooober.mobi.
Layla Robin,
Contributing Tech Writer
Whether it's 50 Cent or Madonna, hip hop or pop, people change ringtones regularly to express their moods and their individuality. People from all over the world are downloading ringtones as a fashion accessory, whether it comes from Hollywood in the US or Bollywood in India, this is truly a global fashion trend.The ringtones fashion industry was a multi-billion dollar business in the US alone this year, and is expected to increase as more artists and fashion designers enter the market. As the business grows, exports of this new content will grow, with Indies becoming a bigger part of the market.
Like in the fashion world, for all the big names there are thousands of independent designers making their mark, as is the case of digital content. For every Madonna, there are thousands of independent artists that are trying to become the next big hit. Same is the scenario with wallpapers as new fashion magazines and modeling agencies have started to sell exclusive mobile wallpapers of their models globally. Welcome to Fashion 2.0 as the digital age becomes a bigger part of individual expression.
For more information or to get the new fashion tech bug, check out www.ooober.mobi.
Layla Robin,
Contributing Tech Writer
Thursday, May 8, 2008
Recycling at its Best~For The Fashion World!
Recently, I came across an amazing designer who, in her own way, averted from the usual by the most miniscule but strengthened aspect: the material she uses. Palvika Rathod, a United Kingdom local uses all hand embroidered using recycled threads and fabrics. The result is not only independent and incredible, but also very femine. Inspired by global fashion and creating a collection of mainly dresses. .The operating principle behind her label is simple: reusing surplus such as off-cuts, pre consumer surplus, end of roll, damaged fabrics at the end of each producing season.
All of her collections are entirely made up unwanted and discarded materials. Despite this, they are as she stated perfectly useable, and still functional; each piece is individually cut from high quality reclaimed fabrics including cotton, jersey, tweeds and wovens but no silks.
Her findings come from rescue efforts from their journey towards destruction and individually customised with elaborate crochet trims and details. The result is simple shapes for maximum wearability and try to balance between a contemporary approach to fashion design and an ethical solution to borrowing from past materials.
As a result of this, she has also shaped her participation in fashion events to this objective. For example, she has taken part in a chartity fashion show called Mode north West in carlisle hosted by Helena King and Garth Gatrix. She also takes part in events for social objectives such as taking part in fashion for peace event in Kenya to to promote peace after the recent political crisis.
This line is incredible to say the least, Hetty invites you to research this designer.....she will become an obession of yours as it has mine.
Stay Fabulous!
Heather Bachman
Editor-In-Chief
All of her collections are entirely made up unwanted and discarded materials. Despite this, they are as she stated perfectly useable, and still functional; each piece is individually cut from high quality reclaimed fabrics including cotton, jersey, tweeds and wovens but no silks.
Her findings come from rescue efforts from their journey towards destruction and individually customised with elaborate crochet trims and details. The result is simple shapes for maximum wearability and try to balance between a contemporary approach to fashion design and an ethical solution to borrowing from past materials.
As a result of this, she has also shaped her participation in fashion events to this objective. For example, she has taken part in a chartity fashion show called Mode north West in carlisle hosted by Helena King and Garth Gatrix. She also takes part in events for social objectives such as taking part in fashion for peace event in Kenya to to promote peace after the recent political crisis.
This line is incredible to say the least, Hetty invites you to research this designer.....she will become an obession of yours as it has mine.
Stay Fabulous!
Heather Bachman
Editor-In-Chief
Monday, May 5, 2008
A Decoration of Dreams
Hetty would like to invite you to one of many designers we call our Obsession worthy picks: SOul by Tapi Tapan...please see below a personalized invitation and discussion straight from the designer!!!!
I have a line of womens wear, cocktail dresses as well as contemporary wear. The line consists of long and short dresses in unique fabrics, trims and textures. I also have a full line of home textile collection which consists of duvet covers, cushion covers, pillow cases and curtains, and lampshades. The home line consists of beautiful fabrics, texture and colors. The lampshades were sold at ABC carpet and home.
I have held two fashion shows, have exhibited at the jacob javit home textile show, and also have held a solo exhibition for a non-profit organization.My stuff can be viewed underhttp://www.facebook.com/group.php?gid=7867695694
Stay Fabulous!!!!!
I have a line of womens wear, cocktail dresses as well as contemporary wear. The line consists of long and short dresses in unique fabrics, trims and textures. I also have a full line of home textile collection which consists of duvet covers, cushion covers, pillow cases and curtains, and lampshades. The home line consists of beautiful fabrics, texture and colors. The lampshades were sold at ABC carpet and home.
I have held two fashion shows, have exhibited at the jacob javit home textile show, and also have held a solo exhibition for a non-profit organization.My stuff can be viewed underhttp://www.facebook.com/group.php?gid=7867695694
Stay Fabulous!!!!!
Tuesday, April 29, 2008
Rockin it with Style....
While it's highly unlikely Eric Ginsberg ever sat down with his band the New Originals one night and devised an on-stage uniform of loin cloths and hairnets, the idea of aesthetic unity has never been short of desirable. Much to his disdain, each member of the band has shot it down without so much as an afterthought.
“I'd really love to get back to the Beatles' idea of everybody wearing this kind of uniform look” says the 26-year-old singer/songwriter from the Jersey Shore, “but I just can't talk my band into it.”
The Beatles, easily the root of motivation for thousands, if not millions of bands across the globe, went through their share of phases. While something as eccentric as the Sergeant Pepper's look would certainly catch the eye, Ginsberg has an earlier sense of style in mind.
“I'm talking about the Ed Sullivan look” he boldly states. “Matching suits with no collars; the idea of the whole band dressing nice and just matching.”
Unable to talk his band into a uniformed look, Ginsberg has opted to diversify his own collection via the closet collections of friends and family. Dubbed as “retro chic”, the frontman is very meticulous about his stagewear of vintage clothing. And he's not afraid of taking a few chances.
“I find that when I take a risk I often get a few compliments out of it” Ginsberg says, stifling a chuckle.
Ginsberg, who says anyone not finding inspiration from the Beatles is lying to you, is clearly one of the most honest musicians around. His music blends an upbeat vibe with catchy hooks for a combination more lethal than letting an alcoholic loose in an open bar.
And yet lyrically Ginsberg takes inspiration from life experiences, more often than not focused around the opposite sex. On his 2003 release I'm Glad I'm Not As Good As You, Ginsberg released a song titled “Painfully Attractive.” This, of course, has it's story.
“I was working at a record store on Long Island and there was this cute girl named Tara” Ginsberg says, as I picture the thought bubble slowly forming above his head. “It was difficult to just work around her at the time, but right now I can't even remember her last name. I couldn't even track her down if I wanted to.”
Needless to say, my image of the bubble burst immediately, replaced instead by the sounds of our unified laughter.
Does this make Eric Ginsberg a hopeless romantic?
“Sure” he said with a laugh. “You can print that.”
As Eric Ginsberg and the New Originals head back into the studio to work on a new album, the man at the mic may routinely find his ideas of stylistic unity kicked to the wayside with a collective thumbs down. In any case, Ginsberg will continue to pursue his music career with an individual drive for success and a sense of style.
- Frank Della Femina
Music/Fashion Reporter
“I'd really love to get back to the Beatles' idea of everybody wearing this kind of uniform look” says the 26-year-old singer/songwriter from the Jersey Shore, “but I just can't talk my band into it.”
The Beatles, easily the root of motivation for thousands, if not millions of bands across the globe, went through their share of phases. While something as eccentric as the Sergeant Pepper's look would certainly catch the eye, Ginsberg has an earlier sense of style in mind.
“I'm talking about the Ed Sullivan look” he boldly states. “Matching suits with no collars; the idea of the whole band dressing nice and just matching.”
Unable to talk his band into a uniformed look, Ginsberg has opted to diversify his own collection via the closet collections of friends and family. Dubbed as “retro chic”, the frontman is very meticulous about his stagewear of vintage clothing. And he's not afraid of taking a few chances.
“I find that when I take a risk I often get a few compliments out of it” Ginsberg says, stifling a chuckle.
Ginsberg, who says anyone not finding inspiration from the Beatles is lying to you, is clearly one of the most honest musicians around. His music blends an upbeat vibe with catchy hooks for a combination more lethal than letting an alcoholic loose in an open bar.
And yet lyrically Ginsberg takes inspiration from life experiences, more often than not focused around the opposite sex. On his 2003 release I'm Glad I'm Not As Good As You, Ginsberg released a song titled “Painfully Attractive.” This, of course, has it's story.
“I was working at a record store on Long Island and there was this cute girl named Tara” Ginsberg says, as I picture the thought bubble slowly forming above his head. “It was difficult to just work around her at the time, but right now I can't even remember her last name. I couldn't even track her down if I wanted to.”
Needless to say, my image of the bubble burst immediately, replaced instead by the sounds of our unified laughter.
Does this make Eric Ginsberg a hopeless romantic?
“Sure” he said with a laugh. “You can print that.”
As Eric Ginsberg and the New Originals head back into the studio to work on a new album, the man at the mic may routinely find his ideas of stylistic unity kicked to the wayside with a collective thumbs down. In any case, Ginsberg will continue to pursue his music career with an individual drive for success and a sense of style.
- Frank Della Femina
Music/Fashion Reporter
Monday, April 28, 2008
Is My Tie Conservative Enough? A look into Politics and Fashion
Does fashion matter in politics? Yes it does. Should it matter? Well, let’s see.....If you are involved with politics, not only does your policy have to have an appeal, but so does your appearance. While I strongly believe that a politician’s attire has nothing to do with his stance on the issues, the public seems to focus on their attire.
For men, the basic attire is a dark suit, white shirt and a solid or striped tie. However, I like to do various styles....especially ones of the independent level. For example, if and when male politicians were to wear polka-dot ties, I am pretty confident that it will be a huge appeal to women voters. However, there is nothing wrong with the usual....such as the old fashioned and never out of style pinstripes. I cannot describe in words how big of an affect pinstripes has on people. A three-piece pinstripe suit is very spicy and yet conservative. Personally, I would sport a pinstripe suit with a polka-dot tie so that attention is brought to the suit, the tie, and the appeal of the person. It has a sophisticated, eloquent, classy and conservative touch.
In politics, you can look conservative, but classy as well. Brooks Brothers, Joseph A. Banks, Stafford and Ralph Lauren are some of the basic conservative attire worn by public officials. This is indeed a good choice of clothing, and I not only approve it...but also wear it myself....with a little spice at times too. To do this: Express, Banana Republic and Gap are my favorites. Their pattern of shirts and ties are somewhat similar to Brook Brothers and Stafford, but with a little bit more of a classy appeal.
Then there is the accessories. Suspenders for example, although viewed as an elderly man look in some circles, has become very popular in this modern era. Not only do young men wear them, but it is becoming popular among young women as well.
As a member of the political arena: I have taken this all to heart but still do a little mix of everything to bring out my personal fashion appeal. For example: striped shirt with a polka dot tie is conservative and stylish at the same time. Dressy plaid pants are a favorite of mine because it brings attention to you and it stands out and people like things that are different.
There has been an absolute narrowing of fashion in the political world, even certain ties have specific relevance in politics. For example, if I was giving a State of the Union address, I’ll sport a black suit, white wide-collar shirt, and a blue tie to symbolize unity, compassion and the strength of the nation. If I am giving a War on Terror speech, I would wear a red tie to symbolize power, authority, and boldness. A gold tie with a blue shirt symbolizes confidence and optimism. This would be appropriate for a politician accepting the nomination for their party. They have to be hopeful and confident not only for their party, but for the nation as well. Hence, it just goes to show you yet again that style even in the most subtle forms can speak volumes.
However, Many politicians may worry that some colors or styles may be too bold or too loud. I would like to argue that sometimes it is good to take a risk because it will appeal to the younger and more modern generation. I like the striped ties and solid ties, but taking a risk is more acceptable. Suspenders, polka dot ties, plaid pants are not expected in politics. Therefore, if you bring about change in fashion, it is quite possible that more and more people would be attracted to the politician, as well as to politics.
-Demetrius Minor
Social Fashion Writer
For men, the basic attire is a dark suit, white shirt and a solid or striped tie. However, I like to do various styles....especially ones of the independent level. For example, if and when male politicians were to wear polka-dot ties, I am pretty confident that it will be a huge appeal to women voters. However, there is nothing wrong with the usual....such as the old fashioned and never out of style pinstripes. I cannot describe in words how big of an affect pinstripes has on people. A three-piece pinstripe suit is very spicy and yet conservative. Personally, I would sport a pinstripe suit with a polka-dot tie so that attention is brought to the suit, the tie, and the appeal of the person. It has a sophisticated, eloquent, classy and conservative touch.
In politics, you can look conservative, but classy as well. Brooks Brothers, Joseph A. Banks, Stafford and Ralph Lauren are some of the basic conservative attire worn by public officials. This is indeed a good choice of clothing, and I not only approve it...but also wear it myself....with a little spice at times too. To do this: Express, Banana Republic and Gap are my favorites. Their pattern of shirts and ties are somewhat similar to Brook Brothers and Stafford, but with a little bit more of a classy appeal.
Then there is the accessories. Suspenders for example, although viewed as an elderly man look in some circles, has become very popular in this modern era. Not only do young men wear them, but it is becoming popular among young women as well.
As a member of the political arena: I have taken this all to heart but still do a little mix of everything to bring out my personal fashion appeal. For example: striped shirt with a polka dot tie is conservative and stylish at the same time. Dressy plaid pants are a favorite of mine because it brings attention to you and it stands out and people like things that are different.
There has been an absolute narrowing of fashion in the political world, even certain ties have specific relevance in politics. For example, if I was giving a State of the Union address, I’ll sport a black suit, white wide-collar shirt, and a blue tie to symbolize unity, compassion and the strength of the nation. If I am giving a War on Terror speech, I would wear a red tie to symbolize power, authority, and boldness. A gold tie with a blue shirt symbolizes confidence and optimism. This would be appropriate for a politician accepting the nomination for their party. They have to be hopeful and confident not only for their party, but for the nation as well. Hence, it just goes to show you yet again that style even in the most subtle forms can speak volumes.
However, Many politicians may worry that some colors or styles may be too bold or too loud. I would like to argue that sometimes it is good to take a risk because it will appeal to the younger and more modern generation. I like the striped ties and solid ties, but taking a risk is more acceptable. Suspenders, polka dot ties, plaid pants are not expected in politics. Therefore, if you bring about change in fashion, it is quite possible that more and more people would be attracted to the politician, as well as to politics.
-Demetrius Minor
Social Fashion Writer
Wednesday, April 23, 2008
The Season of the Shoulder
One of my favorite episodes of Will and Grace is when the rich addict Karen convinced an arch nemesis to have plastic surgery to expand the broadness of her shoulders. Lately, looking at the photos of so many celebrities walking out in the shorter dresses which the spring has allowed them to wear comfortably, I believe that it may be, as Jack stated, “The Year of the Shoulder”...or at least the season of it. For not only has colors brighter than ever have been placed by stylists on our favorite special people...but they have also been showing below their neck and beyond more and more this season.
Many women sadly have seen off the shoulder dresses as being boxy; I have seen myself agreeing with them in the past. However, while realizing off the shoulder is a trend, they are also bringing cinching and other tightening aspects to the dresses. For example, Ginnifer Goodwin wore a Yves Saint Laurent dress at an event for the designer which not only tightened at the waist with a black bow like wrap belt which separated a smooth skirt and a beaded top.
This dress actually rises yet another fabulous constant of this new trend: highly embellished tops. While some believe this addition somehow assists the lack of fabric which the shoulder showing dresses present, I believe that that it gives the dress more independence which the lack of fabric introduces in the first place.
Take for instance Rink Kikuchi's YSL dress which she too wore to the designer event. While still having the bright color style staple, the top presents a strong yet feminine embellishment. Both these dresses made such an impact, that Style.com recently used them to find their “Look of the Day”. So show those shoulders ladies....and don't worry about it being the only aspect of your dress, your favorite designers will assure that will not be the case.
Stay Fabulous!
Heather Bachman
Editor-In-Chief
Many women sadly have seen off the shoulder dresses as being boxy; I have seen myself agreeing with them in the past. However, while realizing off the shoulder is a trend, they are also bringing cinching and other tightening aspects to the dresses. For example, Ginnifer Goodwin wore a Yves Saint Laurent dress at an event for the designer which not only tightened at the waist with a black bow like wrap belt which separated a smooth skirt and a beaded top.
This dress actually rises yet another fabulous constant of this new trend: highly embellished tops. While some believe this addition somehow assists the lack of fabric which the shoulder showing dresses present, I believe that that it gives the dress more independence which the lack of fabric introduces in the first place.
Take for instance Rink Kikuchi's YSL dress which she too wore to the designer event. While still having the bright color style staple, the top presents a strong yet feminine embellishment. Both these dresses made such an impact, that Style.com recently used them to find their “Look of the Day”. So show those shoulders ladies....and don't worry about it being the only aspect of your dress, your favorite designers will assure that will not be the case.
Stay Fabulous!
Heather Bachman
Editor-In-Chief
Saturday, April 19, 2008
Here's to a great event
Last night, our magazine was a part of a great event at the amazing Grand in NYC!!! This is going to be one of many events for this upcoming magazine...So Stay Tuned!!!
Tuesday, April 15, 2008
The Seven for the Season
Storage time for our favorite winter coats...for we are getting all the signs that the freeze we were once in is finally drawing to a close. The weather is warming, the birds are returning and...was that a swimsuit commercial I just saw on television? Spring is coming through the door.
In order to assist in your preparation, here are the Top Seven (as in days of the week that you will be enjoying these) Trends for spring of 2008:
7. Rollable/Foldable Purses
Let's face it, the small purses we buy are cute and go with outfits but what else can you fit into them other than at times just a lipstick. In the words of Sarah Jessica Parker's infamous character, many of us don't wake up looking the way we do outside our door..we need things. Thankfully, our lovely designers have heard our cries just in time for the spring functions...foldable and rollable clutches and bags.While still having all the room which say the busy fashionistas we are require, lines have used fabulous fabric that still is durable and able to be manipulated without issue. The results have been so amazing....even when there is still that worry that the folds will keep and ruin the product. The Fave for this item: Nine West.
6. The Gloves are off but the Hats are on!
Many of you can recall those old movies where the strong women wore hats that either perfectly matched or companioned their ensembles. Who can ever forget the hats of My Fair Lady or Casablanca? Well, they have returned with a vengance. True, they are not as large, extravegant or eye catching, but they have their moments. So get out there and cover those heads with some fashion!
5. The Glasses!
Small, big, Jackie O, John Lennon and wild...these are just some of the words that are attached to those amazing shades that not only protect our eyes, but sometimes protect the outfit from falling apart. Further, While once upon a time one was good enough...multiple ownership is more likely than anything these days getting to the point of being near the reality of needing multiple pairs of shoes. So get as many as your hands can carry...a tip for this is to find the right shape for your face and get every color in that style. The Fave for this item: Isn't it obvious? The Great Michael Kors.
4. The Shirt Dress
An oldie but a goodie, not only are these returning with a vengance but with more exuberant and outstanding designs. Who knew things such as circles and swirls could look so yummy on you? Not only are the colors amazing but the fabric is always breatheable yet can move with you like butter. The Favorite for this is of course the Great DVF. The woman who has continued to make this dress more and more in is still the leader of this trend...
3. Those heels look more dressed up than you do.
Dangles, gemstones and stitching oh my! The backside of our heels are starting to compete with our total outfits and we are loving every minute of it! Further, more designers seem to putting less in the front and putting it in the back, and it's about time...we girls love to leave with a great note...and the back of these heels is the greatest pitch we could have ever asked for.
2. Transparency.....
Seductive and sexy while still being a bit mysterious, Spring Fashion Week was overwhelmed with transparent clothing that not only left many jaws on the floor but has arrived on our Need it in your closet list..Because although you always want to have the people you leave (especially of the opposite gender) wanting more, you always want to show a bit too.
Bright colors
Orange, yellow and even blue are coming so bright that you may need number 5 just to see them. This just goes to show you the boldness of women that continually comes out, not only in our clothes but also in ourselves....
In order to assist in your preparation, here are the Top Seven (as in days of the week that you will be enjoying these) Trends for spring of 2008:
7. Rollable/Foldable Purses
Let's face it, the small purses we buy are cute and go with outfits but what else can you fit into them other than at times just a lipstick. In the words of Sarah Jessica Parker's infamous character, many of us don't wake up looking the way we do outside our door..we need things. Thankfully, our lovely designers have heard our cries just in time for the spring functions...foldable and rollable clutches and bags.While still having all the room which say the busy fashionistas we are require, lines have used fabulous fabric that still is durable and able to be manipulated without issue. The results have been so amazing....even when there is still that worry that the folds will keep and ruin the product. The Fave for this item: Nine West.
6. The Gloves are off but the Hats are on!
Many of you can recall those old movies where the strong women wore hats that either perfectly matched or companioned their ensembles. Who can ever forget the hats of My Fair Lady or Casablanca? Well, they have returned with a vengance. True, they are not as large, extravegant or eye catching, but they have their moments. So get out there and cover those heads with some fashion!
5. The Glasses!
Small, big, Jackie O, John Lennon and wild...these are just some of the words that are attached to those amazing shades that not only protect our eyes, but sometimes protect the outfit from falling apart. Further, While once upon a time one was good enough...multiple ownership is more likely than anything these days getting to the point of being near the reality of needing multiple pairs of shoes. So get as many as your hands can carry...a tip for this is to find the right shape for your face and get every color in that style. The Fave for this item: Isn't it obvious? The Great Michael Kors.
4. The Shirt Dress
An oldie but a goodie, not only are these returning with a vengance but with more exuberant and outstanding designs. Who knew things such as circles and swirls could look so yummy on you? Not only are the colors amazing but the fabric is always breatheable yet can move with you like butter. The Favorite for this is of course the Great DVF. The woman who has continued to make this dress more and more in is still the leader of this trend...
3. Those heels look more dressed up than you do.
Dangles, gemstones and stitching oh my! The backside of our heels are starting to compete with our total outfits and we are loving every minute of it! Further, more designers seem to putting less in the front and putting it in the back, and it's about time...we girls love to leave with a great note...and the back of these heels is the greatest pitch we could have ever asked for.
2. Transparency.....
Seductive and sexy while still being a bit mysterious, Spring Fashion Week was overwhelmed with transparent clothing that not only left many jaws on the floor but has arrived on our Need it in your closet list..Because although you always want to have the people you leave (especially of the opposite gender) wanting more, you always want to show a bit too.
Bright colors
Orange, yellow and even blue are coming so bright that you may need number 5 just to see them. This just goes to show you the boldness of women that continually comes out, not only in our clothes but also in ourselves....
Welcome To Hetty!
Welcome one and all to Hetty: The Fashion Magazine. I know for a fact that this ride we are embarking together is going to be fabulous beyond any possible imagination. In this magazine, you will see a rebirth of what fashion really stands for...Art you live your life in. As they say in Devil Wears Prada retail is not only a factor of the business world, but also what society as a whole presents itself.
As Editor-In-Chief, I take full heart into the passion which as given this venture life and will continue to support it. Until we can grow enough, the magazine will not be in your hands but will be growing before your eyes from this small blog to a website and beyond. From the bottom of my heart, I thank you for being a part of this ride and I pray that it is as enjoyed and inspiring to you as it will be for me.
Welcome to Hetty!
As Editor-In-Chief, I take full heart into the passion which as given this venture life and will continue to support it. Until we can grow enough, the magazine will not be in your hands but will be growing before your eyes from this small blog to a website and beyond. From the bottom of my heart, I thank you for being a part of this ride and I pray that it is as enjoyed and inspiring to you as it will be for me.
Welcome to Hetty!
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